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Wednesday, February 17, 2010

HARVEY KURTZMAN - One Of Comics Greatest Geniuses

My ex-wife is missing out.
We all have self-imposed blind-spots, if you will.

Let me back up.
 I'm using my ex-wife as an illustration, in order to point out an error we may all be committing in our daily lives.
 She enjoys many different kinds of TV shows and movies, for example, she is a fan of C.S.I. (any of 'em) and cop shows in general. She has nothing against a shoot'em up action movie like Die Hard. One of her favorite actors is Clint Eastwood.

That said, she has imposed a rule in her mind that limits her enjoyment...she will not, ABSOLUTELY NOT, watch a movie featuring either of the following: War or Boxing. Period.

A few years ago I bought the DVD "Million Dollar Baby", starring Clint Eastwood, her biggest hero. She refused to watch it, to this very day. Why? Because it has boxing in it. It didn't do any good to  inform her that Clint not only starred in it, he also directed it and it won several Oscars, one for direction, one for best picture, and co-stars Morgan Freeman and Hillary Swank each won Oscars for their performances.  I could not change her mind.

Which is hugely tragic, in my opinion, because while she is trying to filter out whatever she finds unpleasant regarding these 'genres', she does not realize what she is missing. Most 'war' movies for example are not trying to condone or glorify killing or warfare, that is merely the setting of the story. The story is what is important, not the setting. The story isn't going to be about how wonderful killing is, but how we as people deal with events like war, tragedy and death, cowardice and courage. There are giant lessons to be learned, and by closing off that doorway she will never understand some of these things as well as she could.

That was a lot of rambling to finally bring us to my main point -
 Don't let misconceptions prevent you from experiencing the lessons that life has to regards to comic books, don't be afraid of certain genres because they are unfamiliar to you. Guys, go look at an old Romance comic, you'll find something worth looking for. Ladies, don't fear War comics, there is real heroism and history, and much to learn about ourselves and the world around us.

There. All that was said is to preface my real point -- Harvey Kurtzman was a genius who contributed more to the comics we know and love than we can really understand.

Harvey Kurtzman (October 3, 1924, – February 21, 1993).
Harvey Kurtzman was an amazingly talented fellow who was responsible for creating MAD  as well as the finest War comics ever produced. He was already writing and drawing his own type of comics by the time he joined the ranks of EC Comics in 1949. In 1950 he began writing, editing, and laying out every story for TWO-FISTED TALES, as well as drawing stories himself as well.  In 1951, he added FRONTLINE COMBAT to the list, and in 1952 his unmistakable brand of humor emerged with the first issue of MAD. Comics have never been the same since, and thank God for it.

(Taken from Wikipedia  - Writing for Time Magazine, Richard Corliss touted Kurtzman's influence:
"MAD was the first comic enterprise that got its effects almost entirely from parodying other kinds of popular entertainment… To say that this became an influential manner in American comedy is to understate the case. Almost all American satire today follows a formula that Harvey Kurtzman thought up.”)
 Another huge Kurtzman fan, Ren & Stimpy creator John K. on his blog summed up some great truth about Kurtzman and his art. He says it better than I could...

"I personally like Kurtzman's work even more than the Mad artists he supervised. Kurtzman did the layouts for most of the Mad (and E.C) comics. In other words, he drew quick compositions in thumbnail form. The artists lost a lot of the larger design element inherent in Harvey's work. His organized crowds became chaotic hard to read jumbles in the hands of the more famous cartoonists - in my opinion. But one thing most fans are in agreement on: Wally Wood, Jack Davis, Will Elder and the bunch did their best work under Kurtzman's direction.

Kurtzman is a rare creature that sees the big picture. Most artists get buried in the details. The fact that Harvey drew each character "simpler" than most artists makes it easier to see the composition and big picture and we can learn from that. It also makes beginner artists tend to think he is "primitive".  Harvey thinks like a good animation director or a good short story writer."

John K's summary of Kurtzman 'seeing the big picture'  is certainly an accurate one. It took me a while to realize this myself over the years, as I initially brushed off his artwork as...amatuerish! Can you imagine?  I was blinded by the glitzy tight finishes of  the other EC stars, Wally Wood and Frank Frazetta and the like, and didn't realize how amazing and perfect Kurtzman's designs really were.
Kurtzman distilled every cover or panel down to it's most basic essentials, and never was there a figure or an object out of place. Everything was designed to get across his point. His figures are more like caricatures than real characters, but inevitably that is the basis of great comic book story-telling.

Here are a couple of wonderful examples of Kurtzman's brilliant ability to draw fluid. living, relatable humor stories (also taken from John K's blog).

Below is an example of early Kurtzman dramatic stories. BLACK VENUS, from CONTACT Comics # 6, 1945. (Scanned from a comic I used to own...alas, at this moment I can only find this one scan page)

Now, how would someone like Harvey Kurtzman, with the supreme gift of humor, react to war?
Why, he would hate it with every fiber of his being, naturally.
That is why his war themed comics are so incredible, because for the most part, they are stories of conscience. He took his unique gifts for story-telling, and told stories that inevitably had the same moral:
 "War is evil. No one wins. Why are we killing each other?"

Kurtzman's genius established TWO-FISTED TALES and FRONTLINE COMBAT as arguably the greatest war comics ever produced.
There were also the detailed and accurate historical recountings that Kurtzman supervised , but it was those fictional stories that most often revealed the tragedy and humanity that links us all together.

Here are two out of many brilliant Harvey Kurtzman war stories for your enjoyment.  Take the time to look at each panel, and you can see how he laid each one out with apparent ease and genius to tell these unforgettably gripping stories.



Kurtzman reveals the truth, that even if you get what you want in war, there are no winners.

Thou Shalt Not...

From TWO-FISTED TALES #23, 1951

One of his most moving anti-war stories, "RUBBLE", tells the story from the point of view of a family who have the misfortune of trying to live their lives as war rolls through their country. Kurtzman bravely chooses to show our 'enemy' as a caring, loving human being with no thoughts of hate or war. We don't even have to participate in the war to be utterly destroyed by it.

From TWO-FISTED TALES #24, 1951

Was it our bombs that destroyed an innocent families home, or the enemies?

 Kurtzman tells us point blank, it doesn't matter.

 When we fight a war, we are all guilty.

Mykal Banta has created a great blog featuring some of the greatest war comics of all time, by some of the best in the business.
Make sure you drop in over at STAR-STUDDED WAR COMICS, you will find the best war-themed comic stories ever produced.

I will have more Harvey Kurtzman work to share in days ahead.

Saturday, February 13, 2010

A WORD FROM DR. WERTHAM P. FREDRICS - Comics Authoritarian & Psycho-Analyzer

Resident critic, comic book authoritarian, and psycho-analyzer,
Dr. Wertham P. Fredrics,
has a short message for all comic book fans everywhere...

artwork by Michael Wurl


This has been a message from Dr. Wertham P. Fredrics.


GOING TO THE WOOD-PILE - An EC Classic From Feldstein and Wood

Howdy, comic book lovers!

I'm posting this story here not only because it is fantastic, but also because I have the ORIGINAL ART by Wallace "Wally" Wood posted over at 
right now!
It's beautiful in color, but you need to see the original black and white art to appreciate Wood's amazing gift! Don't forget to check it out, friend!

Originally published in WEIRD SCIENCE  # 13, 1952, these scans are from my Gemstone reprint copy.

A classic story by Al Feldstein, and incredible art by Wally Wood!




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